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Video & Audio Production

Looking for the ultimate recording quality for  your vocal? Contact us today!

YouTube Ready

One of the challenges facing up and coming artists today is quickly and effectively establishing a professional presence on the World Wide Web. As record companies’ budgets for artist promotion continue to shrink, artists are turning to self promotion as a means to market themselves and create income from album sales, downloads and publishing.

The Best Recording Studio in Sydney


Great experience producing our track at Crash Symphony! Talented and very professional team! Would definitely recommend for anyone looking to produce a record.

- JDR Official

YouTube Ready – Video & Audio Production

YouTube and Vimeo have been quintessential tools embraced by artists in order to facilitate this marketing and self promotion. Up until now the problem has been that once an artist decides to make a YouTube self-promotional video they must first record their audio and then go through the process of recording separate video and attempting to synch the two recordings. The results often appear clunky and amateurish at best. The artist is also often faced with two sets of fees. One for the Audio recording and one for the video recording. Much valuable time, money and energy can be wasted by the artist in this way.
To solve these issues once and for all, Crash Symphony Productions provide a “YouTube Ready” service to artists where you can create a stellar YouTube Music Video with sublime hi-fidelity, album quality audio and literally have it up on the net the same day.
Watch below one of our latest YouTube ready Video / Audio Production featuring Deni Hines & Alex Gibson – Landslide by stevie Nicks:

Be “YouTube Ready” INSTANTLY!

We record your music and video* at the same time* thereby eliminating synch issues and saving you time, money and hassles and providing you with the opportunity to have your video uploaded to your Vimeo & YouTube channels right away. We can even set up a channel and upload your music on your behalf.

YouTube ready Studio features:

We boast one of (if not the) Best Vocal Sounds available in Sydney
Professional Video/Lighting
Green Screen for your choice of background and After Effects.
Full service from Pre-Production to Recording to You Tube/ Vimeo Upload.
Due to our superior microphones, warm sound booth and painstakingly configured signal paths.
We can literally make you sound like a pro regardless your level of performance or recording experience.
Call Crash Symphony Productions today for pricing and a discussion of your needs and get YOUTUBE READY.. Fast!
View YouTube Ready Video & Audio Examples

Expert Sound Engineers

Working with us means working with the best sound engineers in Sydney

The art of being an excellent sound engineer is not as prominent now that video has become the focus of our world. However, a top quality sound engineer can augment the quality of a production dramatically. When we record a vocal for music or a voice over for an ad we have the ability to enhance every aspect of that recording. The modern tools available to the twenty-first century sound engineer are truly remarkable. Staying on top of the rapid progress is very much a full time job. Let's take a quick look at what work is involved in producing an excellent vocal recording for a typical voice over job.

Our sound engineer will setup the session prior to the talent arriving. In the most extreme cases, often film ADR sessions, the project and microphones will need to be prepared first. Our clients, from film productions companies, are often located in another country like the USA, the UK, or somewhere in Europe. They will send the sound engineer the program material. This will be the video files with SMPTE timecode, the cue sheet, and all specifications required by our sound engineer to capture a similar sound to what was recorded on set. 

Once these program elements are received our sound engineer in Sydney will go into Pro Tools and mark out all the cue points on the timeline of the film. Each entry point will have ADR beeps that will help the talent execute their lines in Synch with the film. In ADR the talent's job will be to lip synch in time with their delivery on set. By setting up the project prior to the talent arriving our sound engineer ensures that the session flows smoothly for the talent. 

Often these "remote sessions" (where the directors and producers are overseas) are facilitated by software that helps us communicate with the overseas studios. Programs like Zoom and Source-Connect allow sound engineers in both locations to be actively involved in the session. The sound engineer overseas can literally press the recording button in one country and our software will obey the command here in Sydney. The directors and producers can watch the video content on their screen whilst listening to the audio being recorded by our sound engineers in Sydney. It's real-time. It's the modern way. It's remarkable!

In this example, an ADR recording session, the sound engineer would also need to setup two microphones. One would be a lapel mic, similar to what might have been used on set, and the other a shotgun microphone. These two microphones are setup by our sound engineer in Sydney in front of a screen. This is to allow the talent to clearly view the film as they are performing. An iPad is also positioned in close proximity to the microphones. This will have all the cue points and lines that the talent will be reading during the ADR recording session. 

During the session the sound engineer will be facilitating the smooth capture of cue lines. They make sure that all the takes of each line are saved for future recall and re-listening, and can even cut recorded takes together to create a composite "best take". 

Once the ADR session is complete the post-production work on the re-recorded lines begins. The amount of work that goes into the audio post-production is beyond the scope of this example. However, we can give a few examples of the kind of technology our sound engineer might decide to use on the recorded cue lines. There is software to reduce lip and mouth noises. Harsh sibilant frequency can be curtailed. The synch of the spoken lines can be further tightened by intelligent algorithms that look at the original "on set" spoken audio and literally stretch, cut, and compress lines recorded in our Sydney recording studio and make them even tighter. The list of tasks, options, and enhancements that our sound engineer can apply to a voice recording is enormous. 


James Englund

James Englund


Stewart Havill

Stewart Havill


Borbala (Bobo)

Borbala (Bobo)

Session singer and Admin

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