Recording Studio: Celtic Music

Recording Studio: Celtic music is defined as music that originates from the countries of Ireland, Scotland and Wales. The people who live in these locations are known as Celts, which is how the music became known as Celtic music. Celtic music is best described as a type of folk music with a distinctive music and lyrics. And, today Celtic music is played and heard not only in Ireland, Scotland and Wales, but also on a worldwide stage.

Recording Studio: History of Celtic Music

Celtic music has been traced back to the 1600’s and is still a popular musical genre today.
Recording Studio Celtic music can be defined also as music of the Celt people and has been around for several centuries. Some of the common instruments heard in Celtic music include violin, lute, flute, bagpipe, hard and several other commonly heard instruments. While Celtic music covers various types of music, it is popular for dancing as well as having music sung as a ballad. Celtic music tends to be as varied as a rousing dance tune or as tender as a song about a mother’s love.
While recording studio Celtic music has been traced back to the 1600’s, it is still one of the world’s most popular recording studio musical genres. Musicians such as Clannad, Enya, The Chieftains and The Corrs are some of the more famous Celtic musicians of the day. We have put together a few pages of information on Celtic music for you to browse. We hope you enjoy learning more about this musical genre.
The term ‘celtic music’ is a rather loose one; for the purpose of Ceolas, it covers the traditional music of the celtic countries – Ireland, Scotland, Wales, Brittany (in France), Galicia (in Spain) and areas which have come under their influence, such as the US and the maritime provinces of Canada, as well as some newer music based on the tradition from these countries.
The term is sometimes controversial. For starters, the Celts as an identifiable race are long gone, there are strong differences between traditional music in the different countries, and many of the similarities are due to more recent influences. There is also the notion that ‘celtic’ implies celtic mysticism and a particular influence in new-age music which has little to do with traditional music. In general, the strongest connections are between Irish and Scottish tradition and it is on these that Ceolas concentrates. Breton musicians frequently play in Irish or Scottish music and at least one modern Galician group (Milladoiro) sounds quite Irish. In Canada and the US, the traditions are much more mixed, and it is there that the term ‘celtic’ is most used, though it is also true that many groups from particular celtic regions play the music of another region too.
It is also worth remembering that even a term such as ‘Irish traditional music’ is a lumping together of many different styles, from the raw, Scottish-tinged music of Donegal to the lyrical, easy-going style of Clare and many other regional styles that are only partly compatible.
Thus, in the absence of a better term (‘folk’ or ‘world’ music are sometimes used but are much vaguer), and with the realisation of it’s shortcomings, ‘celtic’ is what we use for Ceolas.