Sydney Recording Studio: His 1972 album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, made him a superstar. Dressed in wild costumes that spoke of some kind of wild future, Bowie, portraying Stardust himself, signaled a new age in rock music, one that seemed to officially announce the end of the 1960s and the Woodstock era.
Sydney Recording Studio: David Bowie More Changes
But just as quickly as Bowie transformed himself into Stardust, he changed again. He leveraged his celebrity and produced albums for Lou Reed and Iggy Pop. In 1973, he disbanded the Spiders and shelved his Stardust persona. Bowie continued on in a similar glam rock style with the album Aladdin Sane (1973), which featured “The Jean Genie” and “Let’s Spend the Night Together,” his collaboration with Mick Jagger and Keith Richards.
Around this time he showed his affection for his early days in the English mod scene and released Pin Ups, an album filled with cover songs originally recorded by a host of popular bands, including Pretty Things and Pink Floyd.
By the mid 1970s Bowie had undergone a full-scale makeover. Gone were the outrageous costumes and garish sets. In two short years he released the albums David Live (1974) and Young Americans (1975). The latter album featured backing vocals by a young Luther Vandross and included the song “Fame,” co-written with John Lennon and Carlos Alomar, which became Bowie’s first American number one single.
In 1980 Bowie, now living in New York, released Scary Monsters, a much-lauded album that featured the single “Ashes to Ashes,” a sort of updated version of his earlier “Space Oddity.”
Three years later Bowie recorded Let’s Dance (1983), an album that contained a bevy of hits such as the title track, “Modern Love” and “China Girl,” and featured the guitar work of Stevie Ray Vaughan.